September 2, 2010

Guest Post: A Quick Guide to British Humor – Understanding British Comedy

Editor’s Note: The following is a guest post from Raffaele Lagattolla, a young Englishman who wanted to share his passion for Cricket with everyone and encourage Americans to take an interest in it. Thanks Raffaele!

The British sense of humour is one of the most talked about irksome points of relations between our nation and the rest of the world. Namely that most other countries have a difficulty in getting their heads around it, except perhaps ex parts of the Empire, such as Australia, New Zealand etc. This is often assumed to be the fault of the inhabitants of that country, however nothing (in my opinion) could be further from the truth.

I will use the example most known to myself, and that would happen to be the differences in American and British humour. May I first say that some American comedies are pure pieces of gold; I can name some that have me laughing on the floor for hours on end. Programmes such as Family Guy, The Simpsons, South Park, Scrubs and so on. However I have noticed in my 18 years on this planet that the main selling point of good old American laughter is that it tends to be both fairly blunt, and rather obvious. Often making the viewers laugh out loud rather than merely chuckle or snigger.

This here is the main difference; British humour (for me) has four cornerstones that you will rarely find in any other countries except perhaps the ones listed above. Now before I start I am not saying that British humour is impossible to understand for all foreigners, merely that it is quite radically different and therefore difficult to pick up. However once you get it undoubtedly it is fabulous.

The first cornerstone is undoubtedly that of understatement. Without us knowing it many Brits including myself will be continually understating the current situation or state of affairs. A rather classic example is that of Captain Eric Moody, who in 1989 piloted a Boeing 747, which has lost ALL of its four turbofans. 99% of the passengers were either British or Australian, this is the statement made by Captain Moody.

“Ladies and Gentlemen this is Captain speaking, we currently have a small problem. All four engines have stopped. We are doing our damndest to get them working, I trust you are not in too much distress.”

A masterpiece, there was no screaming or shouting, nobody tried to jump out of the door and the plane landed safely with no ill health present. If any American should read this article this first cornerstone is crucial to understand, all British comedies and people understate almost everything in life. Don’t try and figure it out, trust me just go along with it. Eventually it will become almost second nature should you stay here long enough.

The second cornerstone is that great mystery, irony. This is nigh on impossible to explain, however rest assured that we constantly find the ironies in life and they are source of enormous amusement to us. My friend recently said to me that he was tougher than a wall of bricks, rather ironic that later that day a brick fell off a construction site duckboard and knocked him senseless. I should have probably called the ambulance quicker than I did, but the fact was that both all my friends and me were paralyzed with laughter, almost on the floor. He was fine before you all call me a heartless soul.

The third is undoubtedly that of the macabre. The Brits have a unique sense of humour when it comes to death and mortality. British funerals often contain a great deal of jokes and laughter, alongside the more sombre moments. We often find the pain of others a constant source of amusement; in fact while I waited for my friend to come back to his senses in hospital we shared at least thirty jokes at his expense, all (to us) hilariously funny. Laughter seems to be our unique way of coping with the tragedy of death and suffering, so much so that after a terrible event a great deal of very macabre jokes will be inevitably circulated by the public that would probably be considered in very bad taste by many foreigners. The fact is though that Brits like me find them incredibly funny, although many of us feel ashamed that we laugh, but we cannot seem to help it.

The fourth is perhaps a tad unsanitary, but to us Brits it is part of everyday life. I am talking about the world of sexual innuendo. The British love innuendo, and have an ability to see it in even the most innocent statements. In fact to many foreigners our bluntness about innuendo is quite shocking, and many of us perfect it before we are even 18. In fact…

Perfectly innocent at first, but this is the Brits we’re talking about… If you don’t understand then find an explanation of “getting your leg lover” in British Slang. Then you’ll get it.

It is difficult to explain why we do this, but I believe the simplest answer would have to be that it is part of the British national psyche. To laugh at others, us, the absurd and even illness as a source of humour. For example my grandmother died recently from lung cancer induced by smoking. Tragic yes, but at the funeral I said the following words. “Well… shall we set up a smokers corner?” I tell you now, everybody laughed at that. We were all very sad, but that is British way.

Hilarious Video: Jane Austen’s Fight Club

As a man, Fight Club happens to be one of my favorite movies.

As an Anglophile, so is Pride and Prejudice.

Finally, somoene has combined the two.

Introducing Jane Austen’s Fight Club:

Click to view larger size.

What do you think?

Talking Telly: Rev is a little piece of TV heaven

Every once in awhile a Britcom comes along that completely reminds me of why I love Britcoms. It usually possesses an innately British setting with flawed but whimsical characters plodding along in some form of the human condition. That sounds simple, but really very few shows manage to do it. But the latest is a wonderful BBC 2 sitcom about an inner-city parish called Rev.

The action centers around the Rev. Adam Smallbone, played by Tom Hollander, who is recently assigned to be the vicar of St Saviour’s in East London, a small church that struggles both monetarily and in parishioners. The easy subheadline to Rev would be “Not ‘The Vicar of Dibley’ in the least.” No rolling green hills and respectful countryfolk on this show. These are literally the mean streets of London. Adam is heckled by construction workers, ogled by an overly sexually excitable parishioner, mocked by his archdeacon, and not-so-subtly undermined by a jealous lay reader

Beyond Hollander, who is a lovely actor who manages to evoke both world-weariness and faith whilst looking like a less exuberantly glossy Declan Donnelly (hair and height especially), the show also stars Olivia Colman as Adam’s wife Alex. Colman’s biggest previous role was that of Sophie on Peep Show, and this character once again does a great job with being long-suffering and a bit dissatisfied with the way things are. However, unlike the calculating and underachieving Sophie, Alex is a successful solicitor who merely chafes at the traditional role of the vicar’s wife and with having her husband tending a flock of odd misfits as well as her own needs, and her love for Adam shows beneath the exasperation.

But whilst Adam finds himself so lacking in support sometimes that he spends scenes asking God for advice alone from his church’s pews, he finds what he needs from some unlikely sources. Such as Colin (played by Steve Evets) who is a hard-drinking layabout who serves as Adam’s most faithful parishoner and a bit of a moral compass. and Ellie (played by Lucy Liemann) is the parish school’s headmistress who shares Adam’s desire for success, albeit with a bit less enthusiasm for playing by the rules, and who also serves as Adam’s one temptation.

In all, Rev has been one of the more enjoyable half-hours of scripted TV I’ve seen in awhile, and seems like it might have great potential for a BBC America pickup if it makes it through a few more series. One could say such a show would be a gift from God for both British and American audiences.

Talking Telly: Jonathan Ross to jump to ITV

Jonathan Ross

In a move that probably surprised absolutely, Jonathan Ross has inked a £1 million deal to host an 18-episode chatshow series that is said to be slated to air after The X Factor in late 2011.

The infamous Wossy, who is set to end his longtime BBC1 chatshow later this summer, fell out of favour with the BBC after he and fellow comedian Russell Brand left a lewd message on Fawlty Towers actor Andrew Sachs’ answering machine during the taping of his Radio 2 show. His new deal will give him at least a year off, although his ITV deal leaves him free to present or make appearances on shows such as the Big Fat Quiz Show of the Year on Channel 4 and the 2010 British Comedy Awards.

“I am thrilled and excited that after a short break I will be rolling up my sleeves and creating a brand new show for ITV1,” Ross said to The Guardian. “I have worked successfully with most of the key figures at the network in the past and cannot wait to get back on screen with a fast, funny and unpredictable new talkshow.”

Considering that Wossy’s current talk show is far from unpredictable, it will be interesting to see if his ITV show makes many big changes. It could be said that he faces a challenge not unlike David Letterman when he jumped from NBC to CBS, because it’s unknown if he will be allowed to take some elements from “Friday Night With Jonathan Ross” with him (including Four Poofs and A Piano, his current sidekicks.) Also, it’s unlikely the new show will get a slot on BBC America unless a deal is made with ITV Studios and Ross’ Hot Sauce production company separately.

In the meantime, it’s rumoured that Ross and his old partner-in-crime Brand are pitching the idea of hosting a radio show on a US network, possibly XM/Sirus, where they could presumably call anyone they wanted and say that they had sex with their kinfolk and no one would bat an eye. Or, likely, particularly care.

Talking Telly: Where does James Corden really bring the funny?

It’s hard to miss James Corden this summer. Since being featured on Sport Relief in the spring, he has been a one-man ambassador for ITV’s coverage of the World Cup, culminating in his World Cup Live show that’s been scheduled after their World Cup late games (for those who haven’t watched World Cup coverage on UK telly, the BBC and ITV have alternated the airing of matches, and each one had two of England’s. Corden also did the official England World Cup song with Dizzee Rascal, which was the UK No. 1 for two weeks, and which debuted during the Britain’s Got Talent final. Add to that an assistant managing gig for the England side on Soccer Aid, an appearance on Alan Carr: Chatty Man and, of course, a big guest starring role on Doctor Who.

The World Cup Live show has scored really well for ITV, giving them record ratings on ITV4 (where half of the show airs after ITV1 goes to news.) Now the Daily Mirror has reported that they are anxious to keep Corden going by offering a golden-handcuffs deal worth around £6 million for three years. According to the Mirror (who should be regarded as about as accurate as the Daily Mail in their reporting, so not so much) Corden is going for a better deal than Adrian Chiles got recently when he jumped from the One Show for a £6 million/4 year deal.

The talk (and the grumbling) is that Corden’s show is basically a reboot of Chris Evans’ TFI Friday show on Channel 4 in the late-1990′s. If it is, Evans clearly doesn’t care – he not only appeared on World Cup Live (and was exceptionally manic in a way that gives me hope for his upcoming gig doing The One Show on Fridays) but was quoted by The Sun as saying he’s “the perfect man for the job.”

But even with Evans blessing and good ratings, is this show and ITV the right fit for Corden? Yes, the show is enjoyable. With a mix of celebrity guests (although it would be nice if more of them have a clue about football), silly games and audience stunts, it reminds me also of Ant and Dec’s (and Cat Deeley’s) breakout Saturday morning show SM:TV, and it’s actually tame enough for kids to watch. Corden has to win awards for being the most cheerful and understanding England fan through the whole World Cup, doubtless because he spent a lot of time with team members filming segments before they went to South Africa. Basically, it’s not a stretch to say that it’s a show that Smithy (Corden’s character on Gavin & Stacey) would have fronted if he were real-life.

But that brings us back to the thing that made Corden famous in the first thing – the amazing sitcom that he and Ruth Jones created and wrote for BBC. He’s a funny and sweet guy, but it could be said that his true brilliance is in writing and acting. Even in his Doctor Who appearance, in an episode that clearly was meant to be filler between big blockbuster CGI eps, he made a lovely turn as a call-center manager who rented the Doctor a room when he was stuck on earth. It wasn’t big laughs, and neither was his character on Gavin & Stacey much of the time. But he had the ability to make characters who could be caricatures or sidelines have a real part. And on Gavin & Stacey (which I’m currently watching the first series of for the first time, embarrassingly) all of the characters are written with great depth.

So should Corden go for the money, expand on his short-run zoo show of the moment and try to build himself into the next big presenting star? He could do it and do it well, although many would say that he is either shameless light entertainment or grating. But I hope that somewhere in that deal would be something that would let him create a new sitcom or dramedy for ITV. Because it’s a shame to let that comedic writing talent be put on the shelf. And if I were the BBC, even with their budget situation, it would be time to consider making a play for a similar deal for him themselves.